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Goodnight Saigon, or, how to respect your audience's intelligence
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"I do not like that man. I must get to know him better."
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Tilting at windmills
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A film’s need to entertain has obscured the reality about change.
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Opinions
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Certainty
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Launching chatbots of historical figures
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Connecting the dots looking backwards
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Others' plans for you
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Epictetus on respecting your limitations